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Thursday, October 13, 2011

Night Watchmen Through the Ages (with a little help from Richard Armitage)

On my last visit to Bath, I was delighted to discover by accident an eighteenth-century watchman's sentry box. Not in a museum, not roped off, but standing on the corner of a quiet, pretty crescent as if waiting for the watchman to return. Situated in Norfolk Crescent beside a grassy expanse and opposite the Georgian terrace, Cumberland House, this circular structure (erected in 1793 and restored in 1896) piqued my interest in the history of night watchmen.


© Cheryl Leigh


Watch-boxes increased in number during Queen Anne's reign. Made of timber or stone, the wooden ones provided targets for bored young "gentlemen" who tipped them over (and the snoozing watchman within) for sport.


© Museum of London


A regular night watch came into existence after the passing of the Statute of Winchester in 1285, which required householders to maintain the peace in their parishes. At first the Watch assembled only a few times a year, but by the beginning of the 16th century it assembled nightly. Constables supervised the "Charlies", a nickname watchmen acquired during Charles II's reign.

The watchmen's duties included crime and fire prevention, waking people who needed to rise early, calling out the time and weather, and helping drunks home. Men could avoid their duty by paying a fine or hiring a deputy. By the eighteenth century, deputies had become common and watchmen tended to be elderly, often drunk, usually incompetent and highly ridiculed by the public. According to The London Encyclopaedia, this mock advertisement appeared in 1821: "Wanted, a hundred thousand men for London watchmen. None need apply for this lucrative situation without being the age of sixty, seventy, eighty or ninety years; blind with one eye and seeing very little with the other; crippled in one or both legs; deaf as a post; with an asthmatical cough that tears them to pieces; whose speed will keep pace with a snail, and the strength of whose arm would not be able to arrest an old washerwoman of fourscore returned from a hard day's fag at the washtub...."

© Museum of London

In the first half of the eighteenth century, city marshals and beadles patrolled the streets during the day. Nights were the watchmen's responsibility. Various Watch Acts in the 1700s established an annual wage of thirteen pounds for watchmen, their hours of duty, and ordered them to be at their posts every night. The men gathered nightly at the watch house at nine o'clock in winter and ten o'clock in summer where the ward beadle called the roll and wrote their names in a book. Armed with a staff (which had replaced the earlier halberds), a lantern, and later a clapper to signal another watchman for help, they then took their positions at watch-boxes or where they had a good view of a street. Their locations were printed and posted in public areas to notify citizens. Watchmen worked in pairs, patrolling their beat twice, once calling the time, the other silently. They came off duty in the morning at seven o'clock in winter and five o'clock the rest of the year. Anyone nabbed by a watchman would spend the night in the watch-house. In the morning, the constable would take the offender to a magistrate.

Citizens had long resisted the idea of a professional police force, viewing it as a threat to their liberty as well as an unwarranted expense, but the increase in crime changed public feeling in the latter part of the eighteenth century. When the novelist, Henry Fielding, was appointed magistrate at Bow Street in December 1748, he pressed for improvements and organized a force of official thief-takers that became known as the Bow Street Runners. The Gordon riots brought home the need to implement a new police system, but a professional police force for London was not created until 1829. The old watch system was now abolished.


So, what is the connection between this post and Richard Armitage? The occupation of night watchman has continued in various forms down the centuries. A different kind of watchman was the one who guarded the night skies over England during wartime such as in Edward Shanks's* poem, The Night Watch for England. Here is Richard Armitage's moving recitation. Enjoy!





*Edward Shanks (1892-1953) was a member of the "Georgian Poets", a title coined by the poet, Harold Munro, in the year of George V's coronation. The name was given to the writers who contributed to the five volumes of Sir Edward Marsh's anthology, Georgian Poetry, 1912-1922.

Sources:

Beattie, J.M. Crime and the Courts in England, 1660-1800. New Jersey: Princeton

University Press, 1986


Hibbert, Christopher. London: The Biography of a City. London: Penguin, 1977


Hitchcock, Tim. Down and Out in Eighteenth-Century London. London: Hambledon

Continuum, 2004


Reynolds, Elaine A. Before the Bobbies: The Night Watch and Police Reform in

Metropolitan London, 1720-1830. Stanford: Stanford University Press, 1998


Statt, Daniel. "Law Enforcement." Britain in the Hanoverian Age, 1714-1837: An

Encyclopedia. Eds. Gerald Newman and Leslie Ellen Brown, et al. New York

& London: Garland Publishing, 1997


Weinreb, Ben, and Christopher Hibbert, eds. The London Encyclopaedia. London:

Book Club Associates, 1983

Tuesday, October 11, 2011

Featured in a new magazine

Anne Whitfield Brear and I were invited to participate in a new magazine in our area. I'm pleased with the generous feature article, as I'm sure Anne is.  http://www.thehighlandsway.com

Monday, October 10, 2011

Eleanor Of Aquitaine commiserates with Demi Moore






Eleanor of Aquitaine, a twelth century Queen, has been in the same place as Demi Moore is now,with her current lover Ashton Kutcher. She shares her views for Demi






Missive to Ms Demi Moore from Her Royal Highness, Eleanor of Aquitaine, Queen of France and England

Ma Cherie Demi,

What can I say to console you? All men are schmucks. I am writing to sympathise with your current situation with votre beau fils Ashton. I too had the anguish of losing favour to a younger woman. I first met my Henry, then Duke of Normandy when he was but eighteen years of age. I had once dallied with his father but after setting eyes on young Henry, it was lust at first sight for both of us. But first I had to arrange the annulment from my first husband, Louis VII, King of France. Married to Louis when I was just fifteen, it was a passionless marriage. Louis, as second son had thought to give his heart, body and soul to the church. Instead he was crowned king, and I, queen within weeks of our betrothal. No handsome and virile Bruce Willis for me, ma Cherie.( Why ever did you throw him over?) Ah, but I see. The younger model does have its appeal, n’est-ce pas ?

Henry was eleven years my junior when we married weeks after the annulment. I was twenty nine and as Henry would often tell me, more beautiful than all of the courts of Europe. I gave up the throne of France and two small daughters for him. But Henry gave me the throne of England instead. Not too many others can claim to have been Queen of France and then Queen of England. For the next fourteen years ours was a marriage of love and passion. Henry was “a young red-headed lion’, blatantly sexual with a muscular toned body. You would have very much approved ma cherie Demi.

Together we produced eight surviving children – five sons and three daughters. Two of my daughters would become queens and three of my sons, kings. But by the time our last son John was born Henry had moved on from his frequent dalliances to a more lasting affaire de Coeur with the fair Rosamund de Clifford.

I would have my revenge. I returned to my Duchy of Aquitaine and waited. Within 5 years my son, Young Henry, with the support of the Lords of Aquitaine and my former husband Louis, faced rebellion from all sides. Henry won out in the end and I was to face the next fifteen years imprisoned.

The greatest revenge is to outlive them all. Sadly Young Henry did not live to take the throne of England, but my favourite son, Richard the Lionheart did when Henry died in 1189.

Ma Cherie Demi, I wish you luck with your younger lover, but time is the cruellest enemy of the fairer sex. Perhaps you could take the advice of the other grande dame, Ivana Trump.

“Don’t just get even. Take it all!”

Eleanor (Alienor)

Countess of Poitou, Duchess of Aquitaine

Former Queen of France

Past Queen of England.


~~~~~~~~~~~

If you would like to read more of this feisty, fascinating woman, I would suggest

Alison Weir, The Captive Queen, an historical fictionalised account of her life and

Eleanor of Aquitaine, An historical account of her life..


Thanks for sharing a period that is deep in the mists of time with me but as we can see the problems of romance remain the same.

Elle Fynllay

Monday, October 3, 2011

Every lady needs a fan-tastic accessory - The history and language of the fan.

Cassie’s Regency Tidbits

Hello everyone, today I am blogging about the language of the fan. There is something about secret ways of communicating, don’t you think? I remember as a child making up codes with my friends so we could write secret letters to each other. The language of the fan was a bit like that only, not so secret. Like all good things we should start at the beginning.
The fan has been around for a long, long time at least 3,000 years. Records show that the Greeks, the Etruscans and Romans used fans. Early fans were not the folding type we recognize but the fixed version. The first folding fans were brought over to England from Europe. In the 18th Century the East India Company imported fans and both men and women used them. However, by the Victorian period the fan was purely for women only.

In a book by: Bennett, Anna G., and Ruth Berson it is mentioned that a 1740’s version of The Gentleman’s Magazine mentions the Speaking Fan (see link below to the magazine). This “speaking fan” didn’t actually make any noise but supposedly could be used to spell out messages from across a room, by using motions of the fan to translate into letters of the alphabet.


In the following example the alphabet, with the exception of “J”, was split up into five sections. These sections corresponded to one of the following movements.
  1. Moving the fan with the left hand to the left arm.
  2. Moving the fan with the right hand to the left arm
  3. Placing the fan against the bosom
  4. Raising the fan to the mouth
  5. Raising the fan to the forehead.
Here is an example of how it should work: In order to signal the letter D, one would use movement 1 – left hand to left arm (to signal the first segment of the alphabet), followed by movement 4 – raising fan to mouth (to indicate the 4th letter of the alphabet. Woe be told if the fan-er was a bad speller.


By contrast, The Language of the Fan, published by Pierre Duvelleroy (http://www.duvelleroy.fr/house_of_duvelleroy_origins.html) the Parisian fan maker, seems much simpler in that it conveys a whole phrase rather than letter by letter.


In the Regency period, the language of the fan was a way of communicating with the opposite sex in a social situation. Balls were often crowded, noisy, hot and smelly affairs where using your fan as a way to communicate was very effective. Fans became more than just a way of keeping cool in a crush, they were the must have fashion accessory. There were many different types of fans, some for the daytime, evening and there were even fans for when one was in mourning. These desirable fans were made from all sorts of materials like wood, silk, ivory from Africa and sometimes even chicken skin or kid. Some of these fans were highly decorated with jewelry and or feathers and pretty painted scenes.

Here are a few examples of the language of the fan:


Right hand in front of face: follow me
Left hand in front of face: desirous of acquaintance
Drawing across the forehead: you have changed
Drawing through the hand: I hate you
Drawing across the cheek: I love you
Twirling in left hand: we are watched
Twirling in right hand: I love another
Carrying in right hand: you are too willing
On left ear: I wish to get rid of you
Presented shut: do you love me?
Shut the fully opened fan very slowly: I promise to marry you
To watch some of the language of the fan in action click on this link

As a small aside I just wanted to mention a blog I came across while I was researching this article. A blogger on Mass Historia http://walternelson.com/historia/2006/05/pet_peevethe_language_of_the_f.html suggests that the language of the fan was not as widely used as we might think. In fact it is his pet peeve. Granted, he is talking more about the Victorian age in his blog, however, if his argument is valid, would it not have been the same for the Regency? His argument is that in order for the language of the fan to have actually worked – the gentlemen of the time would have had to study it too. He tends to think that they would not have bothered. What do you think? Do you think the men of the Regency and Victorian period would have studied the language of the fan?
If you would like to learn more about fans, their origins and their language check out some of the links below.
Sources:
1. ^ Bennett, Anna G., and Ruth Berson. Fans in Fashion. [San Francisco]: Fine Arts Museums of San Francisco, 1981. Print.
2. ^ Steele, Valerie. The Fan: Fashion and Femininity Unfolded. New York: Rizzoli, 2002. Print.